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The dance movements are supposed to be performed with a larger amplitude on a wide scale of tempos, making it physically the most demanding style of Bharatanatyam. The application of loka dharmi and natya dharmi is different from other Bharatanatyam styles. The Melattur style dancers wear a special protective cotton belt around their waist.
The costume of a male Bharatanatyam dancer is usually either a sari or a white cotton cloth draped around the legs and bottom half of the body like a dhoti. During performances, the upper body of the male dancer remains bare. Male dancers typically do not wear stitched costumes.
A traditional Bharatanatyam dance performance follows a seven to eight-part order of presentation called margams. [37] The dancers are usually dressed in colorful silk saris with golden or silver zari embroidery on the borders, draped in a specific way and adorned with various jewelry. [32]
Odissi classical dancer wearing alta on her hands and feet It can be commonly seen worn by Odissi classical dancers on hands and feet while performing. It is applied to women's feet as an auspicious symbol during Raja (Mithun Sankranti), which is a three-day festival celebrating womanhood (menstruation).
Vazhuvoor (or Vizhuvur) is one of the original styles of Bharatanatyam, a major form of Indian classical dance. The main distinctive features include: rich sringar [definition needed] elements; wide range of dancing pace; softer facial abhinaya; extremely elaborate movements; deep sitting positions; variety of positions on the floor
Meenakshi Srinivasan (born 11 June 1971) is an Indian classical dancer and choreographer, and an exponent of the Pandanallur style of Bharatnatyam. [1] She trained under Alarmel Valli and is considered among the most promising soloists of the younger generation of dancers in this traditional style.
Meenakshi Chitharanjan, an Indian classical dancer, teacher and choreographer, is known as an exponent of the Pandanallur style of the classical dance form of Bharatanatyam. [1] She is the founder of Kaladiksha , an institution promoting Bharatanatyam and striving to preserve the Pandanallur tradition .
Mythili Prakash [1] is an American dancer and choreographer specializing in Bharatanatyam, a classical dance form originating in Southern India. [2] Recognized as one of the world’s leading young exponents of Bharatanatyam, her classical, yet inventive approach revitalizes the physicality, musicality and expressive theatricality of the dance to create an exceptional style that is distinct ...