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2. Tina Girouard - Wikipedia

   en.wikipedia.org/wiki/Tina_Girouard

   Art critic Theodora Bocanegra Lang writes in a review published in IMPULSE Magazine: "This series of hanging screen-printed banners was produced in collaboration with The Fabric Workshop and Museum in Philadelphia. These works embrace and experiment with new ways of using contemporary textiles while furthering and complicating Girouard’s ...

3. Textile printing - Wikipedia

   en.wikipedia.org/wiki/Textile_printing

   Evenlode block-printed fabric. Textile printing is the process of applying color to fabric in definite patterns or designs. In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction.

4. Digital textile printing - Wikipedia

   en.wikipedia.org/wiki/Digital_textile_printing

   Digital textile printing is described as any ink jet based method of printing colorants onto fabric. Most notably, digital textile printing is referred to when identifying either printing smaller designs onto garments (T-shirts, dresses, promotional wear; abbreviated as DTG, which stands for Direct to garment printing) and printing larger designs onto large format rolls of textile.

5. Hundreds of banners and metres of fabric used for Extinction ...

   www.aol.com/hundreds-banners-metres-fabric-used...

   The group uses costumes, props, art displays, banners and flags in its demonstrations. Skip to main content. News. Search. Need help? Call us! 800-290-4726. Login / Join. Mail. Downloads; AOL App ...

6. Gordon Crook - Wikipedia

   en.wikipedia.org/wiki/Gordon_Crook

   In 1979 Crook was commissioned to produce a set of 20 banners for the Miles Warren-designed New Zealand Embassy in Washington. [6] Hanging in the Great Hall of the embassy building the banners measure five metres by 1 metre and feature South Pacific imagery and heraldry . [ 6 ]

7. Screen printing - Wikipedia

   en.wikipedia.org/wiki/Screen_printing

   Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.