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The launch of DSCOVR took place on 11 February 2015, following two scrubbed launches. It took DSCOVR 110 days from when it left Cape Canaveral Air Force Station (CCAFS), Florida, to reach its target destination 1.5 × 10 ^ 6 km (0.93 × 10 ^ 6 mi) away from Earth at the Sun-Earth L1 Lagrange point. [32] [33]
Listed to compete at the 1968 Cannes Film Festival: A beszélő köntös: Tamás Fejér: István Iglódi, Antal Páger: Agitátorok : Dezső Magyar: Gábor Bódy, Tamás Szentjóby, György Cserhalmi: Banned after release Fényes szelek: Miklós Jancsó: Hosszú futásodra mindig számíthatunk: Gyula Gazdag: Isten hozta, őrnagy úr: Zoltán ...
Ádám Magyar: Animation: First freely downloadable computer animated 3D feature-film Iszka utazása: Csaba Bollók: Mária Varga, Marian Ursache: A Nap utcai fiúk: György Szomjas: Kata Gáspár, Péter Bárnai: Ópium – Egy elmebeteg nő naplója: János Szász: Ulrich Thomsen, Kirsti Stuboe: Entered into the 29th Moscow International Film ...
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In Budapest in 1957, a year after the failure of the Hungarian uprising, Jung is a mid-level agent informing on many other citizens who come to report to him. He is in charge for an elaborate testing process to ascertain loyalty to Kádár's regime, but he does not realize that he is being watched and photographed too, by his superior and mentor, Marko.
Hungarian Rhapsody (Hungarian: Magyar rapszódia) is a 1979 Hungarian drama film directed by Miklós Jancsó. It was entered into the 1979 Cannes Film Festival. [1] It won Golden Peacock (Best Film) at the 7th International Film Festival of India. The film depicts "a peasant revolt in Hungary in the early twentieth century."
Honfoglalás (AKA: The Conquest) is a 1996 Hungarian film about the Magyar settlement in Hungary in approximately AD 896. [1] This film was written by István Nemeskürty and directed by Gábor Koltay.
Rosemary (Hungarian: Rozmaring) is a 1938 Hungarian romantic comedy film directed by Emil Martonffi and starring Ida Turay, Antal Páger and Gyula Kabos. [1] [2] It was shot at the Hunnia Studios in Budapest. The film's sets were designed by the art director Márton Vincze.