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The following year-end charts were elaborated by Mejía Barquera, based on weekly charts that were published on the magazine Selecciones musicales as compiled on Roberto Ayala's 1962 book "Musicosas: manual del comentarista de radio y televisión"; those charts were, according to Ayala, based on record sales, jukebox plays, radio and television airplay, and sheet music sales [a]. [6]
If two or more artists have the same reported sales, these are then ranked by certified units. The reported sales figure and the total of certified units for each country in the provided sources include sales of albums, singles, compilation albums, music videos, and downloads of singles and full-length albums.
Spanish singer Julio Iglesias was recognized by the Guinness World Records in 2013 as the best-selling male Latin artist of all time. [12]Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean.
Billboard Español (formerly Billboard en Español) is an online Spanish-language counterpart to Billboard magazine which is shown on Telemundo. [1] The site was started in 2007 to cater specifically to the Latin community.
The music of Latin America refers to music originating from Latin America, namely the Spanish and Portuguese-speaking regions of the Americas south of the United States. [1] ...
Universal Music Latino Sayonara : Álvaro Díaz Urbano Universal Music Latino Superhéroe Merengue: Magic Juan: Merengue Omerta Music Group Kintsugi: Un Corazón Christian CanZion Night Clube Forró Latino (Volume I) Marcelo Jeneci: Folk Onerpm 20 The Latin Rites: ADDA Simfònica Alicante Classical ARIA Classics 23 Cuatro: Camilo: Latin pop
Linda Ronstadt in 1976. Starting in the mid-1980s, Billboard introduced the Top Latin Albums and Hot Latin Tracks charts for Latin music albums and singles. In 1980, Angélica María recorded for the first time in a U. K. studio, making an album of ballads and a single record with two pop songs in English, seeking some kind of crossover.
In 1977, Cachao was brought to a studio by musicologist René López to record two new albums for the Salsoul label: Cachao y su Descarga 77 and Dos. Half of the recorded tracks were danzones composed by Cachao during his early career, whereas the other half consisted of Afro-Cuban descargas, as in the later stages of Cachao's career. [30]