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Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.
Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.
Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave).
She, has to her credit, won a National Film Award, two Filmfare Awards, five Maharashtra State Film Awards, four Gujarat State Film Awards, and one Orissa State Film Award. She has recorded more than 15000 songs in 36 regional languages. Multilingual playback singer Sadhana Sargam has recorded numerous private albums and songs. Below are her ...
Unakkul Naane [TH - A Raga's Journey 1] Pachaikili Muthucharam: Harris Jayaraj: Bombay Jayashri: Abheri/Bhimpalasi: Tanha Dil Tanha Safar: Tanha Dil (Album) Ram Sampath: Shaan: Abheri / Bhimpalasi: Kanaa Kaangiren Kannalane Ananda Thandavam: G V Prakash Kumar: Shubha Mudgal, Nithyasree Mahadevan and G V Prakash Kumar: Ābhēri/ Bhimpalasi ...
Kalyan thaat consists of an important group of evening ragas. Characterised by the teevra Madhyam, this thaat literally means good luck. Ragas of this thaat are considered to be a blessing-seeking and soothing.
Brihaddeshi is a Classical Sanskrit text, dated ca. 6th to 8th century CE, on Indian classical music, attributed to Mataṅga Muni.It is the first text to speak directly of the raga and to distinguish marga ("classical") from desi ("folk") music.
"Hum Aapke Dil Mein Rehte Hain Anu Malik Sameer Kumar Sanu "Zara Aankhon Mein Kaajal" "Kasam Se Kasam Se" "Hum Aapke Dil Mein Rehte Hain" (female) solo Hum Saath Saath Hain "Hum Saath Saath Hain" Raam Laxman Dev Kohli Kumar Sanu, Udit Narayan, Hariharan, Alka Yagnik, Kavita Krishnamurthy "Mhare Hiwda Mein Naache Mor, Ta Ta Thaiya" R. Kiran