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Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.
Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.
Unakkul Naane [TH - A Raga's Journey 1] Pachaikili Muthucharam: Harris Jayaraj: Bombay Jayashri: Abheri/Bhimpalasi: Tanha Dil Tanha Safar: Tanha Dil (Album) Ram Sampath: Shaan: Abheri / Bhimpalasi: Kanaa Kaangiren Kannalane Ananda Thandavam: G V Prakash Kumar: Shubha Mudgal, Nithyasree Mahadevan and G V Prakash Kumar: Ābhēri/ Bhimpalasi ...
Durga has the same notes as Malhar, another popular raag and one of old pedigree. The aural experience of both are significantly different. Technically, they are made apart by the use of rishabh (Re). Durga is also readily distinguished by its salient use of the phrase Sa Re Dha Sa. 1) Common phrase Re Pa, distinguished by the use of Re
Śaṃkarābharaṇaṃ's notes when shifted using Graha bhedam, yields 5 other major Melakarta rāgas, namely, Kalyāṇi, Hanumatodi, Natabhairavi, Kharaharapriya and Harikambhoji. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāga.
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Brihaddeshi is a Classical Sanskrit text, dated ca. 6th to 8th century CE, on Indian classical music, attributed to Mataṅga Muni.It is the first text to speak directly of the raga and to distinguish marga ("classical") from desi ("folk") music.
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