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Samuel Adelstein described the Lombard mandolin in 1893 as wider and shorter than the Neapolitan mandolin, with a shallower back and a shorter and wider neck, with six single strings to the regular mandolin's set of 4. [35] The Lombard was tuned C–D–A–E–B–G. [35] The strings were fastened to the bridge like a guitar's. [35]
The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [ 1 ] It has been independently invented in more than one country, variously being called mandolin-banjo, banjo-mandolin, banjolin and banjourine in English-speaking countries, [ 2 ] banjoline and bandoline in France ...
John D'Angelico was born in 1905 in New York to an Italian-American family, and was apprenticed in 1914 to his great-uncle, Raphael Ciani, who made violins, mandolins, and flat top guitars. [ 1 ] [ 2 ] [ 3 ] This apprenticeship would become the basis for construction principles he later incorporated into his archtop guitars. [ 4 ]
Three musical instruments with scalloped necks, guitar, mandolin, and a possible hybrid of the two. [111] The French ruled Vietnam completely by 1884 and set up a system of modern education. The population was exposed to French culture and music, which included the mandolin. The influence of French culture was strong enough to affect Vietnamese ...
The internal bracing is similar to the mandolin and mandola, with a single transverse brace on the top just below the oval sound hole. On modern instruments X-bracing is sometimes used. As is typical of the mandolin family, octave mandolins can be found with either a single oval soundhole or a pair of "f " soundholes. As with the scale length ...
The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards. The neck is adjustable, allowing the musician to change the angle of the neck to its strings by turning a screw. [3] One model is made with a wooden resonator bowl, with the effect of a less tinny, softer sound. [4]
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The "foot" is on the bottom of the neck, and affords a large gluing surface to the back of the instrument. With neck-through, making the neck part of the body. This method is used on some solid-body electric guitars, where the piece of wood that is the neck runs the entire length of the instrument and is laminated to the rest of the body. This ...