Ad
related to: record collector magazine special edition
Search results
Results from the WOW.Com Content Network
In 2003, Record Collector became a full colour publication – marking the fact with a psychedelic special – and printing 13 issues a year. The magazine was updated steadily by editor-In-chief Alan Lewis, former editor of Sounds, NME, Black Music, founding editor of Kerrang! and involved in the launches of both Uncut and Loaded. [7]
Record Collector [ 8 ] Preludes: Rare and Unreleased Recordings is a two-CD compilation of music and interviews, including unreleased outtakes and demos, by singer-songwriter Warren Zevon , who died in 2003.
Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch 78 RPM and 7-inch 45 RPM, in reproduction Parlophone sleeves, 25 copies of each; these are estimated to be worth upwards of £10,000 each.
The Record Collector's Guide [to] American-[Issued Classical Music] Celebrity Discs. New York: Concert Bureau, College of the City of New York, [ca. 1960]. Overton, C. David. The Gramophone Record Library. London: Grafton & Co., 1951. 123 p. N.B.: This book is aimed at sound recordings collections in libraries, but much of the advice may be of ...
The terms special edition, limited edition, and variants such as deluxe edition, or collector's edition, are used as a marketing incentive for various kinds of products, originally published products related to the arts, such as books, prints, recorded music and films, and video games, but now including clothing, cars, fine wine, and whisky, among other products.
To celebrate the 40th anniversary of A Long Vacation, Record Collectors' Magazine published a retrospective series titled Along A Long Vacation that is written by music critic Manabu Yuasa, who previously worked as an assistant at Ohtaki's office/studio. A new installment was included in each monthly issue from May 2020 until March 2021.
Peter Doggett (born 30 June 1957) is an English music journalist, author and magazine editor. He began his career in music journalism in 1980, [1] when he joined the London-based magazine Record Collector. [2] He subsequently served as the editor there from 1982 to 1999, [3] after which he continued in the role of managing editor. [4]
In a retrospective review, Charles Waring of Record Collector magazine gave the album four out of five stars and called it a "techno-pop classic". He said that it encapsulates both the popularity of the Fairlight CMI synthesizer and popular music in 1984—"the dawn of a new pop sensibility where sequencers, samplers and drum machines held sway". [4]
Ad
related to: record collector magazine special edition