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In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is burden (bourdon or burdon) [1] [2] such as a "drone [pipe] of a bagpipe", [3] [4] the pedal point in an organ, or the lowest course of ...
Music that contains drones and is rhythmically still or very slow, called "drone music," [2] can be found in many parts of the world, including bagpipe traditions, among them Scottish pibroch piping; didgeridoo music in Australia, South Indian classical Carnatic music, and Hindustani classical music (both of which are accompanied almost invariably by the Tanpura, a plucked, four-string ...
Ison is a drone note, or a slow-moving lower vocal part, used in Byzantine chant and some related musical traditions to accompany the melody, thus enriching the singing. It was not considered to transform it into a harmonized or polyphonic piece.
In addition, South Asian art music (Hindustani and Carnatic music) is frequently cited as placing little emphasis on what is perceived in western practice as conventional harmony; the underlying harmonic foundation for most South Asian music is the drone, a held open fifth interval (or fourth interval) that does not alter in pitch throughout ...
In Indian music, the drone is a basic function of the music. The development of a raga, any composition or song within raga presupposes and requires the continuous sounding of the key-note, its octave and another tone, usually the fifth or fourth. Traditionally drone is often provided by one or more tanpura player(s), especially for vocal ...
A shruti box (sruti box, shrutibox, srutibox or surpeti) is a musical instrument, originating from the Indian subcontinent, that traditionally works on a system of bellows. It is similar to a harmonium and is used to provide a drone in a practice session or concert of Indian classical music. [1]
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Grove Music Online describes the playing of an ektara as: "The ektārā player holds his instrument upright, gripping the neck just above the resonator and plucking the playing string or strings with the index finger of the same hand. If he is dancing, he supports the gourd resonator with his other hand, in which he carries clusters of small ...