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Title page of Franz Rigler's "Three Rondos" (1790) First page of the manuscript for Mozart's Adagio and Rondo for glass harmonica, flute, oboe, viola and cello. The rondo is a musical form that contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes, generally called "episodes", but also occasionally referred to as "digressions" or ...
Rondo form involves the repeated use of a theme (sometimes called the "refrain") set in the tonic key, alternating with episodes, resulting in forms such as ABACA (the five-part rondo) or ABACADA (the seven-part rondo). In a rondo, the refrain (A) may be varied slightly. The episodes (B, C, D, etc.) are normally in a different key than the tonic.
The fast music uses the final quatrain for its main theme, and repeats parts of the earlier text (most often from the second quatrain) for the contrasting material. In later examples, where the fast sections become longer and more complex, material from all three stanzas came to be used. [9] [12]
In summary, genre is a broader term and often refers to the overall style, structure, cultural context, or purpose of the music. For example, a rondo is based on alternation between familiar and novel sections (e.g. ABACA structure); a mazurka is defined by its distinctive meter and rhythm; a nocturne is based on the mood it creates, required ...
Mozart himself titled the rondo "Alla turca". [5] It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. [6] Section A: This section, in A minor, consists of a rising sixteenth-note melody followed by a falling eighth note melody over a staccato eighth-note accompaniment. It is eight measures long.
Examples of his earliest works are those found in Nannerl's Music Book. Between 1782 and 1786, Mozart wrote 20 works for piano solo (including sonatas, variations , fantasias , suites , fugues , rondo ) and works for piano four hands and two pianos.
The Rondo for Cello and Orchestra in G minor, Op. 94, is a composition by Antonín Dvořák. [1] Originally written for cello with piano accompaniment in 1891, it has been performed in recent years by the likes of cellists Yo-Yo Ma, [2] Sheku Kanneh-Mason [3] and Sol Gabetta. [4] The Rondo's main theme is among Dvořák's moderately well-known ...
An alternative to buying printed music in Mozart's day was the purchase of handwritten copies. [8] Later in 1787 (17 October), an advertisement in the Wiener Zeitung announced that manuscript copies of the Rondo (price 1 florin) were available from the copyist Johann Traeg, who had previously issued three of Mozart's piano concertos. [9]