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Initially intended as a 3-volume series of increasing difficulty, the middle volume titled Clarke's Technical Studies (1912) would gain a following independent of the other volumes, becoming "one of the most widely used trumpet method books" [1] and drawing comparisons to the Arban Method. [2]
Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet, cornet, and other brass instruments. The original edition, Grande méthode complète de cornet à pistons et de saxhorn) , was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [ 1 ]
Following his time at the Moscow Conservatory, Max Schlossberg played trumpet in Saint Petersburg. After moving to Berlin, he studied under Julius Kosleck and toured with Arthur Nikisch, Hans Richter, and Felix Weingartner. Following his return to Latvia in the 1890s, he supported himself by conducting.
The famous Trumpet Tune in D (also incorrectly attributed to Purcell) was taken from the semi-opera The Island Princess (1699), [10] which was a joint musical production of Clarke and Daniel Purcell (Henry Purcell's younger brother or cousin)—probably leading to the confusion. [11] [12] [13]
Brandt's 34 Orchestral Etudes (34 Studies for Trumpet) is an important study material for modern trumpet players. His Last Etudes (The Last Studies) serve a similar purpose. His two Concert Pieces (Konzertstücke Opp. 11–12) for trumpet and piano are also widely performed today. Country Pictures is a notable quartet for trumpets or horns from ...
Quatre variations sur un thème de D. Scarlatti for trumpet; Cahiers d'études pour la flûte - The published title for this collection is Douze Etudes pour Flute; Six esquisses symphoniques, 1949; La farce du Contrebandier, musical comedy, 1946; Le chalumeau d'or, ballet; Marvellous Dreams, Twelve easy pieces for the piano, 1947
Just Words. If you love Scrabble, you'll love the wonderful word game fun of Just Words. Play Just Words free online! By Masque Publishing
The buisine and the añafil were variations of a type of straight medieval trumpet usually made of metal, also called a herald's trumpet. While arguably the same instrument, the two names represent two separate traditions, in which a Persian-Arabic-Turkic instrument called the Nafir entered European culture in different places and times.