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Arthur Koestler CBE (UK: / ˈ k ɜː s t l ər /, US: / ˈ k ɛ s t-/; German:; Hungarian: Kösztler Artúr; 5 September 1905 – 1 March 1983) was an Austro-Hungarian-born author and journalist. Koestler was born in Budapest , and was educated in Austria, apart from his early school years.
The God That Failed is a 1949 collection of six essays by Louis Fischer, André Gide, Arthur Koestler, Ignazio Silone, Stephen Spender, and Richard Wright. [1] The common theme of the essays is the authors' disillusionment with and abandonment of communism .
The Act of Creation is a 1964 book by Arthur Koestler.It is a study of the processes of discovery, invention, imagination and creativity in humour, science, and the arts. It lays out Koestler's attempt to develop an elaborate general theory of human creativit
People, scientists included, cling to cherished old beliefs with such love and attachment that they refuse to see what is wrong in their ideas and the truth in the new ideas that will replace them. (This point was developed a few years afterwards by Thomas Kuhn in The Structure of Scientific Revolutions , in which the concept of " paradigm ...
Pages in category "Arthur Koestler" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. ...
Holacracy is a method of decentralized management and organizational governance, which claims to distribute authority and decision-making through a holarchy of self-organizing teams rather than being vested in a management hierarchy. [1] [2] Holacracy has been adopted by for-profit and non-profit organizations in several countries. [3]
Koestler's contribution appeared on 2 October 1969. Sins of Omission: While Six Million Died by Arthur D. More. Reviewed in the Observer, 7 April 1968. The Future if any: The Biological Time-Bomb by Gordon Rattray Taylor. Reviewed in the Observer, 21 April 1968. Going Down the Drain : The Doomsday Book by Gordon Rattray Taylor.
The term holon was coined by Arthur Koestler in The Ghost in the Machine (1967), though Koestler first articulated the concept in The Act of Creation (1964), in which he refers to the relationship between the searches for subjective and objective knowledge: Einstein's space is no closer to reality than Van Gogh's sky.