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Irish warpipes (Irish: píob mhór; literally "great pipes") are an Irish analogue of the Scottish great Highland bagpipe. "Warpipes" is originally an English term. The first use of the Gaelic term in Ireland was recorded in a poem by Seán Ó Neachtain (c. 1650–1728), in which the bagpipes are referred to as píb mhór. [1]
The tone of the uilleann pipes is unlike that of many other forms of bagpipes. They have a different harmonic structure, sounding sweeter and quieter than many other bagpipes, such as the Great Irish warpipes, Great Highland bagpipes or the Italian zampognas. The uilleann pipes are often played indoors, and are almost always played sitting down.
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia.
Loure, a Norman bagpipe which gives its name to the French Baroque dance loure. Pipasso, a bagpipe native to Picardy in northern France; Sourdeline, an extinct bellows-blown pipe, likely of Italian origin; Samponha, a double-chantered pipe played in the Pyrenees; Vèze (or vessie, veuze à Poitiers), played in Poitou
This bagpipe was commonly played in the Lowlands of Scotland, Northern England and Ireland from the mid-18th until the early 20th century. [7] It was a precursor of what are now known as uilleann pipes, and there were several well-known makers over a large geographic area, including London, Edinburgh, Aberdeen, Dublin, and Newcastle upon Tyne ...
Great Irish Warpipes an instrument, believed to have existed in Ireland until around the 1700s, and to have been similar or practically identical to the extant Great Highland Bagpipe. Northumbrian smallpipes are bellows-blown bagpipes consisting of one chanter, generally with keys and usually four drones.
The earliest commonly recognised figures in the history of bagpipe pibroch are the MacCrimmon family of pipers, particularly Donald Mor MacCrimmon (c. 1570 – 1640), who is reputed to have left a group of highly developed tunes, [25] and Patrick Mor MacCrimmon (c. 1595 – 1670), one of the hereditary pipers to the Chief of MacLeods of ...
Pipe bands have long been part of military tradition, most notably in the United Kingdom and its former colonies. Many of the same standard tunes are found in both the military and civilian pipe band repertoires, and many similarities exist in terms of musical style, historical and musical influences, and dress and deportment.