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The Biblical lyrics reference Lamentations 3:22-23. [2] The song was exposed to wide audiences after becoming popular with Dr. William Henry Houghton of the Moody Bible Institute and Billy Graham, who used the song frequently on his international crusades. [3]
The destruction of the E-kiš-nu-ĝal is described in detail. The good house of the lofty untouchable mountain, E-kiš-nu-ĝal, was entirely devoured by large axes. The people of Šimaški and Elam, the destroyers, counted its worth as only thirty shekels. They broke up the good house with pickaxes. They reduced the city to ruin mounds. [13]
[3] [7] [23] In many manuscripts and for Synagogue use, Lamentations 5:21 is repeated after verse 22, so that the reading does not end with a painful statement, a practice which is also performed for the last verse of Isaiah, Ecclesiastes, and Malachi, [24] "so that the reading in the Synagogue might close with words of comfort". [25]
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
Gregory's second most known extant work is a commentary on the Song of Songs (Մեկնութիւն երգոց երգոյն Սողոմոնի, Meknut’iun ergots’ ergoyn Soghomoni), written in 977, the year he was ordained a priest. [56] [31] The commentary was written at the behest of prince Gurgen-Khachik Artsruni of Vaspurakan. [57]
A gay Georgia couple convicted of sickening sexually abuse of their two adopted sons will spend the rest of the lives behind bars.. William and Zachary Zulock, 34 and 36, were each sentenced last ...
In terms of the Tanakh, it includes the Latter Prophets from the Nevi'im, with the addition of Lamentations (which in the Tanakh is one of the Five Megillot) and Daniel, both of which are included among the books of the Hebrew Ketuvim. [2] The prophetic books are named as such because prophets are traditionally attributed as authors. [3]
Matthew Hunter, a viola soloist at the Berlin Philharmonic, set the Tallis Lamentations to be played by an ensemble of Stradivari violins, violas and violoncellos. The arrangement is for two antiphonally set string quintets. The group plays this piece only a couple of times every two years, when they can get the instruments together. [2] [3] [4]
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