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The sayings of Jesus on the cross (sometimes called the Seven Last Words from the Cross) are seven expressions biblically attributed to Jesus during his crucifixion. Traditionally, the brief sayings have been called "words". The seven sayings are gathered from the four canonical gospels. [1] [2] In Matthew and Mark, Jesus cries out to God.
Time gap between Jesus' death and the writing of the gospels. 3: Talk:Jesus/Archive 80#Time gap between Jesus' death and the writing of the gospels. Nativity and early life: 3: Talk:Jesus/Archive 80#Nativity and early life: Founders of religions category tag: 6: Talk:Jesus/Archive 81#Founders of religions category tag: Jesus's Character: 4
The theme of the video revolves around "the difference between Jesus and false religion." [1] Underneath his video, Bethke delineated its purpose: A poem I wrote to highlight the difference between Jesus and false religion. In the scriptures Jesus received the most opposition from the most religious people of his day.
Jesus saying farewell to his eleven remaining disciples, from the Maesta by Duccio, 1308–1311. In the New Testament, chapters 14–17 of the Gospel of John are known as the Farewell Discourse given by Jesus to eleven of his disciples immediately after the conclusion of the Last Supper in Jerusalem, the night before his crucifixion.
From Paul's writings alone, a fairly full outline of the life of Jesus can found: his descent from Abraham and David, his upbringing in the Jewish Law, gathering together disciples, including Cephas (Peter) and John, having a brother named James, living an exemplary life, the Last Supper and betrayal, numerous details surrounding his death and ...
The St Luke Passion is scored for large forces: a narrator (who acts as the Evangelist); soprano, baritone and bass soloists (with the baritone singing the role of Christ and the soprano and bass taking other roles as necessary); three mixed choruses and a boys' choir; and a large orchestra consisting of:
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The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.
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