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Grigg, Robert. "Byzantine Credulity as an Impediment to Antiquarianism", Gesta, Vol. 26, No. 1 (1987), pp. 3–9, The University of Chicago Press on behalf of the International Center of Medieval Art, JSTOR; James Hall. A History of Ideas and Images in Italian Art, 1983, John Murray, London, ISBN 0-7195-3971-4; Hellemo, Geir.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Annibale Carracci, The Dead Christ Mourned, c. 1604. 92.8 cm × 103.2 cm (36.5 in × 40.6 in).Oil canvas. National Gallery, London.. The Dead Christ Mourned (also known as Lamentation of Christ, Pietà with the Three Marys, or The Three Marys) is an oil painting on canvas of c. 1604 by Annibale Carracci. [1]
He is watched over by the Virgin Mary, Saint John and St. Mary Magdalene weeping for his death. While the dating of the piece is debated, it was completed between 1475 and 1501, probably in the early 1480s. [1] The painting is currently at the Pinacoteca di Brera in Milan. [2]
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative ...
C. The Calling of Saints Peter and Andrew; The Calling of Saint Matthew; Cardinal Albert of Brandenburg before Christ on the Cross; Christ Among the Doctors (Dürer)
Pages in category "Paintings of the Crucifixion of Jesus" The following 130 pages are in this category, out of 130 total. This list may not reflect recent changes .
The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...
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