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Benatar's recording reached number 3 on the US Mainstream Rock Tracks chart, the Top 15 on the US Hot 100 and in Canada, and the Top 20 in Australia. "Shadows of the Night" garnered Benatar her third Grammy Award for Best Female Rock Vocal Performance in 1983. The lyrics of Benatar's version differ slightly from both previous versions.
He was cast in a music video for the 1982 Pat Benatar song "Shadows of the Night" in which he appeared as a Nazi radio officer. In 1981, Paxton worked in the movie Stripes [ 9 ] as a soldier, in the bar scene with John Candy and Bill Murray .
Patricia Mae Giraldo (née Andrzejewski; formerly and still professionally Benatar; born January 10, 1953) is an American singer and songwriter.In the United States, she has two multi-platinum albums, five platinum albums, and 15 US Billboard top 40 singles, [1] while in Canada she had eight straight platinum albums, and she has sold over 36 million albums worldwide. [2]
In 1983, "Shadows of the Night" garnered Benatar her third Grammy Award for Best Female Rock Vocal Performance. [5] This is the first Pat Benatar album to feature Charlie Giordano on keyboards, as guitarist Scott St. Clair Sheets left after Precious Time was released.
Pat Benatar Hit Videos — — — — One-VHS tape featuring four music videos; also includes footage from the behind-the-scenes documentary, The Making of Love Is a Battlefield, later included on the DVD Choice Cuts: Pat Benatar - The Complete Video Collection. The complete video collection is an Easter egg. 1985 Pat Benatar in Concert
The music video for Lionel Richie's "Dancing on the Ceiling" is as memorable as the 1986 track. ... like "The Office" and "What We Do in the Shadows." ... by Pat Benatar. Pat Benatar's 1983 ...
Live from New York, it’s the cast of “Saturday Night.” Director Jason Reitman’s “thriller-comedy,” as he described it to Vanity Fair, takes place on Oct. 11, 1975, the day of the first ...
The video was one of the first ever to feature the use of dialogue - Philip Bailey's "I Know" was the first but Benatar's got more exposure. [15] The scenes featuring dialogue include the opening argument scene between Benatar and her father in which he shouts at her, "If you leave this house now, you can just forget about coming back!"