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The collaboration between Albert Gleizes and Jean Metzinger that would lead to the publication of Du "Cubisme" began during the aftermath of the 1910 Salon d'Automne. [3] At this massive Parisian exhibition, renowned for displaying the latest and most radical artistic tendencies, several artists including Gleizes, and in particular Metzinger, stood out from the rest.
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
A work entitled Food Descending a Staircase was exhibited at a show parodying the most outrageous works at the Armory, running concurrently with the show at The Lighthouse School for the Blind. In American Art News, there were prizes offered to anyone who could find the nude. [23]
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
Cubism and its Enemies: Modern Movements and Reaction in French Art, 1916–1928. Yale University Press, 1987; Golding, John. Cubism: A History and an Analysis 1907–1914. 3rd ed., Cambridge, MA, 1988; Gersh-Nesic, Beth S. The Early Criticism of André Salmon, A Study of His Thought on Cubism. Dissertation, City University of New York, 1989
Albert Eugene Gallatin (July 23, 1881 – June 15, 1952) was an American artist. He wrote about, collected, exhibited, and created works of art. Called "one of the great figures in early 20th-century American culture," [1] he was a leading proponent of nonobjective and later abstract and particularly Cubist art whose "visionary approach" in both collecting and painting left "an enduring impact ...
Guillaume Apollinaire's only book on art, The Cubist Painters, Aesthetic Meditations is an unsystematic collection of reflections and commentaries. [25] It was written between 1905 and 1912, and ultimately published in 1913. Composed of two parts, the volume demonstrates the poetic vision of Apollinaire.
Bohumil Kubišta (21 August 1884 in Vlčkovice, Bohemia – 27 November 1918 in Prague) [1] was a Czech painter and art critic, one of the founders of Czech modern painting. He studied at the Academy of Fine Arts in Prague, but left in 1906 to study at the Reale Istituto di Belle Arti in Florence.