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2. Auto-Tune - Wikipedia

   en.wikipedia.org/wiki/Auto-Tune

   While Auto-Tune was designed to be used subtly to correct vocal performances, the "Believe" producers used extreme settings to create unnaturally rapid corrections in Cher's vocals, thereby removing portamento, the natural slide between pitches in singing. [19] Though Auto-Tune had been commercially available for about a year, according to ...

3. Pitch correction - Wikipedia

   en.wikipedia.org/wiki/Pitch_correction

   A notable example of Auto-Tune-based pitch correction is the Cher effect, so named because producer Mark Taylor originated the effect in her 1998 hit song "Believe". [4] The effect has been used by composer John Boswell for his Symphony of Science and Symphony of Bang Goes The Theory (a BBC science show) mash-ups.

4. Robotic voice effects - Wikipedia

   en.wikipedia.org/wiki/Robotic_voice_effects

   The vocoder should also not be confused with the Antares Auto-Tune Pitch Correcting Plug-In, which can be used to achieve a robotic-sounding vocal effect by quantizing (removing smooth changes in) voice pitch or by adding pitch changes.

5. How to use autotune on audio files in Audacity through a free ...

   www.aol.com/news/autotune-audio-files-audacity...

   Lighter Side. Medicare

6. T-Pain - Wikipedia

   en.wikipedia.org/wiki/T-Pain

   Musically, T-Pain is best known for popularizing the use of Auto-Tune, a pitch-correcting audio processor, for vocals, with the effect turned up to give the voice a robotic quality. He has used this effect throughout his singing career, starting in 2003. [82] This use of Auto-Tune had been pioneered by Cher in her successful 1998 single ...

7. Believe (Cher song) - Wikipedia

   en.wikipedia.org/wiki/Believe_(Cher_song)

   Cher's vocals were processed using the pitch correction software Auto-Tune. Auto-Tune was designed to be used subtly to correct sharp or flat notes in vocal performances; however, Taylor used extreme settings to create unnaturally rapid corrections, thereby removing portamento , the natural slide between pitches in singing. [ 7 ]