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This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [ 1 ]
Maintained to separate fiction - While some may argue that the category of Fictional Shapeshifters is superfluous, this category is maintained to separate shapeshifters appearing in works of fiction (i.e. characters created by a specific author in specific work) and those from legend, mythology or folklore (for instance, the trickster gods of various mythologies).
A character may as easily find themselves in conflict with a natural force, such as an animal or a weather event, like a hurricane. The literary purpose of conflict is to create tension in the story, making readers more interested by leaving them uncertain which of the characters or forces will prevail. [2]
Poetic justice, also called poetic irony, is a literary device with which ultimately virtue is rewarded and misdeeds are punished. In modern literature, [ 1 ] it is often accompanied by an ironic twist of fate related to the character's own action, hence the name "poetic irony".
The ascending three, where each event is of more significance than the preceding, for example, the hero must win first bronze, then silver, then gold objects. The contrasting three, where only the third has positive value, for example, The Three Little Pigs, two of whose houses are blown down by the Big Bad Wolf.
Randolph Carter appears in Fate/Grand Order as a non-playable character in the Salem chapter. In Persona 2: Eternal Punishment ' s additional scenario (PSP Remake), Randolph Carter is a character who grants access to Kadath Mandala for the party, requesting that they retrieve the fragment of his soul stolen by Nyarlathotep .
[5] The novel's treatment of Bigger and his motivations is an example of literary naturalism. The book also received criticism from some of Wright's fellow African-American writers. James Baldwin's 1948 essay, Everybody's Protest Novel, dismissed Native Son as protest fiction, as well as limited in its understanding of human character and in ...
In this sense, each narrative thread is the narrative portion of a work that pertains to the world view of the participating characters cognizant of their piece of the whole, and they may be the villains, the protagonists, a supporting character, or a relatively disinterested official utilized by the author, each thread of which is woven ...