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Museum Voorlinden (Dutch pronunciation: [myˈzeːjʏɱ ˈʋoːrlɪndə(n)]) is an art museum in Wassenaar in the Netherlands. [3] It was founded and is privately owned by Joop van Caldenborgh. [3] It was opened on 10 September 2016 by King Willem-Alexander of the Netherlands. [2]
Active painters are therefore underrepresented, while more than half of the artists are baroque painters of the 17th century, roughly corresponding to the Dutch Golden Age. The names of older artists often have many different spellings; the preferred spelling is used as listed in the Netherlands Institute for Art History [4] database, but ...
More than 300 works are by unknown or anonymous painters, and though over 1,000 individual artists are in the collection, many of these are represented by only one work. The highlights of the collection are the oldest works such as former altarpieces from Amsterdam churches, but also large works for other former Amsterdam institutions by Pieter ...
Willem-Alexander (Dutch: [ˈʋɪləm aːlɛkˈsɑndər]; Willem-Alexander Claus George Ferdinand; born 27 April 1967) is King of the Netherlands, reigning since 30 April 2013. Willem-Alexander was born in Utrecht during the reign of his maternal grandmother, Queen Juliana , as the eldest child of Princess Beatrix and Prince Claus .
Still Life with a Chinese Porcelain Jar is a 1669 oil painting by Dutch artist Willem Kalf, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana.It is a sumptuous still life displaying the sort of costly wares that flowed through the Netherlands during its heyday as a trade center.
This is a non-diffusing parent category of Category:20th-century Dutch women painters The contents of that subcategory can also be found within this category, or in diffusing subcategories of it. Contents
“I ask forgiveness for the clear failure to act in the face of this crime against humanity,” King Willem-Alexander of the The post King of the Netherlands apologizes for country’s role in ...
The Schouburg was published in three volumes, the first of which was simply meant as an addendum to Karel van Mander's work, and listed about 200 artists born between 1466 (starting with Erasmus) and 1613 (ending with Jacques van Artois) that had been omitted or whose lives extended beyond Van Mander's 1604 publication date. The popularity of ...