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The discography of the English singer-songwriter Elvis Costello includes 33 studio albums, 6 live albums, 17 compilation albums, 6 tribute albums, 2 extended plays, 62 singles and 4 box sets. This page distinguishes between United States and United Kingdom release dates and record labels .
Elvis Costello was born Declan Patrick MacManus, [b] on 25 August 1954, at St Mary's Hospital in Paddington, West London, the only child of a record shop worker and a jazz musician. [22]
Pages in category "Albums produced by Elvis Costello" The following 33 pages are in this category, out of 33 total. ... The Very Best of Elvis Costello and The ...
It should only contain pages that are Elvis Costello albums or lists of Elvis Costello albums, as well as subcategories containing those things (themselves set categories). Topics about Elvis Costello albums in general should be placed in relevant topic categories .
Armed Forces was the third of five consecutively produced Costello albums by Nick Lowe (pictured in 2017).. Elvis Costello's second studio album This Year's Model (1978) was his first with the backing band the Attractions–bassist Bruce Thomas, drummer Pete Thomas (no relation) and keyboardist Steve Nieve, [1] [2] after using the American band Clover for his debut album My Aim Is True (1977). [3]
Punch the Clock is the eighth studio album by the English singer-songwriter Elvis Costello, and his seventh with the Attractions—keyboardist Steve Nieve, bassist Bruce Thomas and drummer Pete Thomas (no relation).
My Aim Is True was the first of five consecutive Costello albums produced by Nick Lowe (pictured in 2017). [6]Stiff financed recording sessions for an album at Pathway Studios, an eight-track studio located in Islington, with members of the American country rock act Clover as the backing band.
[17] [30] [32] In Los Angeles Times, Robert Hilburn summarised: "If you were a fan of Elvis Costello's late-'70s albums, from My Aim Is True through Armed Forces, the new Blood & Chocolate is the LP you've been waiting seven years for him to deliver." [32] The return to the punch and anger of Costello's early works was both welcomed and derided.