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Frank Gio, Ray Dittrich, and Mario Brega (a Leone regular who had appeared in Dollars Trilogy) respectively appear as Beefy, Trigger, and Mandy, a trio of gangsters who search for Noodles. Frequent De Niro collaborator Chuck Low and Leone's daughter Francesca respectively make uncredited appearances as Fat Moe (and Deborah's father), and as ...
Leone's film elicited a legal challenge from the Japanese director, though Kurosawa's film was, in turn, probably based on the 1929 Dashiell Hammett novel, Red Harvest. A Fistful of Dollars is also notable for establishing Clint Eastwood as a star. [17] Until that time, Eastwood had been an American television actor with few credited film roles.
Career is a 1959 American drama film directed by Joseph Anthony and starring Dean Martin, Tony Franciosa, and Shirley MacLaine.. The movie is the story of actor Sam Lawson (Franciosa) who is bent on breaking into the big time at any cost, braving World War II, the Korean War and even the blacklist.
Duck, You Sucker! (Italian: Giù la testa, lit."Duck Your Head", "Get Down"), also known as A Fistful of Dynamite and Once Upon a Time ... the Revolution, is a 1971 epic Zapata Western film directed and co-written by Sergio Leone and starring Rod Steiger, James Coburn, and Romolo Valli.
Dunaway in 1997. Faye Dunaway is an American actress who has appeared in over seventy films, thirty television shows, thirteen plays and two music videos. Regarded as one of the greatest actresses of her generation, she was one of the leading actresses during the golden age of New Hollywood.
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The company was founded by Henry Jarvis Raymond and George Jones in New York City. The first edition of the newspaper The New York Times, published on September 18, 1851, stated: "We publish today the first issue of the New-York Daily Times, and we intend to issue it every morning (Sundays excepted) for an indefinite number of years to come."
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.