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Benga is a genre of Kenyan popular music.It evolved between the late 1940s and late 1960s, in Kenya's capital city of Nairobi.In the 1940s, the African Broadcasting Service in Nairobi aired a steady stream of soukous, South African kwela, Congolese finger-style guitar and various kinds of Cuban dance music that heavily influenced emergence of benga.
This is a list of music genres and styles. Music can be described in terms of many genres and styles. Classifications are often arbitrary, and may be disputed and ...
Kalpop is a music genre that originated in the Klassikan royal communities under Klassik Nation [27] record label. Kalpop is a genre of Klassikan, African, lingual (multicultural), and popular music that originated in its modern form during the mid-1990s in Kenya and later spread to the United States and the United Kingdom.
Boomba music, also referred to as kapuka (due to the beat pattern; not to be confused with kapuka rap), is a form of hip pop music popular in Kenya. It incorporates hip hop , reggae and African traditional musical styles.
Genge music is a genre of hip-hop music influenced by dancehall, originating from Nairobi, Kenya in the 1990s. [1] The term "Genge" was coined by producer Clemo and popularized by Kenyan rappers Jua Cali and Nonini at Calif Records. The genre is commonly performed in Sheng, a mixture Swahili, English and
Bingo, an ape character on the 1968–1970 television series The Banana Splits; Bingo "Bet-it-all" Beaver, one of the main characters from The Get Along Gang; Bingo Brown, the preteen protagonist of four novels by Betsy Byars
Kuduro (or kuduru) is a type of music and dance from Angola. It is characterized as uptempo, energetic, and danceable. Kuduro was developed in Luanda, Angola, in the late 1980s. Producers sampled traditional carnival music like soca and zouk béton ("hard" zouk) from the Caribbean to Angola, house and techno playing from Europe.
"Bingo Bango" is a song written and recorded by English electronic music duo Basement Jaxx for their debut album, Remedy (1999). The track, which contains a sample of Bolivar's "Merengue" and as a result, Jose Ibata and Rolando Ibata are credited as songwriters, combined dance music with various elements of Latin music.