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The opening chapter of Genesis tells a story of God's creation of the universe and of humankind as taking place over the course of six successive days. Some Christian and Jewish schools of thought (such as Christian fundamentalism ) read these biblical passages literally , assuming each day of creation as 24 hours in duration.
The volumes include commentary (1–7) and other materials: Genesis to Deuteronomy; Joshua to 2 Kings; 1 Chronicles to Song of Solomon; Isaiah to Malachi; Matthew to John; Acts to Ephesians; Philippians to Revelation; Bible Dictionary; Bible Students' Source Book; Encyclopedia: A–L; Encyclopedia: M–Z; Handbook of Seventh-day Adventist Theology
The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story, [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two stories drawn from different sources.
The "Spirit of God" hovering over the waters in some translations of Genesis 1:2 comes from the Hebrew phrase ruach elohim, which has alternately been interpreted as a "great wind". [ 10 ] [ 11 ] Victor P. Hamilton decides, somewhat tentatively, for "spirit of God" but notes that this does not necessarily refer to the "Holy Spirit" of Christian ...
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
1. The Genesis text analyzed is the current traditional manuscript. 2. The text, for the purpose of literary analysis, is regarded as having been written by an "author" who is responsible for the final version of the text. The literary reading, therefore, relates to what is expressed in the current form of the text, assuming its unity. 3.
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