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"Tall Cool One" is a song by the English rock singer Robert Plant. The song was written by Plant and keyboardist Phil Johnstone, who also co-produced Now and Zen. [2] [3] Former Led Zeppelin bandmate Jimmy Page plays guitar on the song. [4]
The album's opening track, "Back in the Saddle" was written by Perry on six-string bass. In 1997, Perry explained to Alan di Perna of Guitar World that he was inspired by Peter Green to write the riff on a Fender Bass VI and admitted that he was "very high on heroin when I wrote 'Back in the Saddle.' That riff just floated right through me."
Individual Thought Patterns is the fifth studio album by Florida death metal band Death, released on June 22, 1993, by Relativity Records.It is the only album by the band to feature guitarist Andy LaRocque, the first to feature drummer Gene Hoglan and the second and last to feature bassist Steve DiGiorgio.
"Can't You Hear Me Knocking" is a song by English rock band the Rolling Stones from their 1971 album Sticky Fingers. The track is over seven minutes long, and begins with a Keith Richards open-G tuned guitar intro. The main song lasts for two minutes and 43 seconds, after which it transforms into an extended improvisational jam. The entire ...
[2] [3] Recorded in April 1969, the song's introduction features distinctive vibraphone, bass, guitar, and piano. Richards plays main riff and slide guitar solo, Jagger provides vocals, producer Jimmy Miller plays tambourine, Nicky Hopkins plays piano, Charlie Watts provides drums, while Bill Wyman plays vibraphone and bass.
Rick Rubin played the guitar riffs. [7] Kerry King, guitarist for Slayer, played the solo; Slayer had released an album produced by Rubin in 1986 (Reign in Blood). In a different tuning, the song interprets "TNT" by AC/DC. [8] More metal commentary and adaptation is added by the video, directed by Ric Menello, [9] as a parody of glam metal. [10]
AllMusic reviewer Steve Huey described the main guitar riff as "a classic, making use of the full minor scale in a way not seen since Ritchie Blackmore's heyday with Deep Purple." [6] The song is one of Osbourne's best known and recognizable as a solo performer. [7] It was rated 9th-greatest guitar solo ever by readers of Guitar World magazine. [8]
Record World said the song has "everything that's made the band one of the hottest sellers around: powerhouse rhythm grind, guitar raunch & vocal mania." [7] In a retrospective piece on "Back in Black", Metal Hammer magazine hailed the song's riff as one of the greatest riffs ever and wrote, "There are rock songs that appeal to metal fans. And ...