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Form follows function – Design philosophy of 19th–20th centuries; Found object – Non-standard material used in work of art; Found object (music) – Classification of musical instruments; L'art pour l'art – Slogan for art without any didactic, moral or utilitarian function; Sense and reference – Distinction in the philosophy of language
In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. Its discussion also includes the way objects are made and their purely visual or material aspects.
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.
Theosophy takes art into Dan Brown territory. No serious student of art history wants to touch it. [205] Januszczak claimed also that Theosophy was "fraudulent" and "ridiculous," and that "one day, someone will write a big book on the remarkable influence of Theosophy on modern art" and "its nonsensical spell" on so many modern artists. [206]
The element of value is compatible with the term luminosity, and can be "measured in various units designating electromagnetic radiation". [6] The difference in values is often called contrast, and references the lightest (white) and darkest (black) tones of a work of art, with an infinite number of grey variants in between. [6]
Philosophy of design is the study of definitions of design, and the assumptions, foundations, and implications of design. The field, which is mostly a sub-discipline of aesthetics , is defined by an interest in a set of problems, or an interest in central or foundational concerns in design.
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Like prefaces, forewords, prologues, and introductions to literary works, the artist statement performs a vital if complex rhetorical role: when included in an exhibition proposal and sent to a curator, the artist statement usually provides a description of the work, some indication of the work's art historical and theoretical context, some ...