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[5]: 90 However, since Single-8 film has exactly the same image frame and perforation dimensions as Super 8, it can be viewed in any Super 8 projector after processing. [ 5 ] : 90–91 Fuji recommended that only tape splices be used when combining Single-8 footage with Super-8, as standard film cement would not adhere to the Single-8 footage.
In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through. To easily differentiate Super 8 film from Standard 8, projector spools for the former had larger ...
Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.
Slide Cube Projector, circa 1970; In 1934, Bell & Howell introduced their first amateur 8mm movie projector, in 1935 the Filmo Straight Eight camera, and in 1936 the Double-Run Filmo 8. The 1938 Kodak cassette holding 25 feet (7.6 m) of Double-Eight film was taken by the Filmo Auto-8 in 1940. [citation needed] The firm added microfilm products ...
After Kodak (USA) introduced Super-8 film, in 1965 EUMIG launched the movie camera "Viennette Super-8" and the projectors "Mark M Super-8" with threader and arrest projection and "Eumig Mark S Super-8" for Super-8 sound film. At the time, EUMIG was the only European manufacturer with a complete range of equipment for Super-8 film.
They started making budget 8 mm movie cameras in 1939 through a subsidiary run by Briskin's sons, such as the Revere 88 Movie Camera and the Revere 85 8mm Projector. That company was later merged into Excel Auto Radiator Co., which then changed its name to Revere Camera Co.
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