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Celadon (/ ˈ s ɛ l ə d ɒ n /) is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware" (the term specialists now tend to use), [1] and a type of transparent glaze, often with small cracks, that was first used on greenware, but later used on other porcelains.
The kiln sites are located in Gangjin-gun, South Jeolla Province, South Korea near the sea. Mountains in the north provided the necessary raw materials such as firewood, kaolinite , and silicon dioxide for the master potters while a well established system of distribution transported pottery throughout Korea and facilitated export to China and ...
Yue ware stoneware, China, Five Dynasties, 10th century CE. Yue ware or Yüeh ware (Chinese: 越(州)窯; pinyin: Yuè(zhōu) yáo; Wade–Giles: Yüeh(-chou) yao) is a type of Chinese ceramics, a felspathic siliceous stoneware, which is characteristically decorated with celadon glazing.
The white glazed pottery with beautiful draw motif above the glaze in golden brown; The strong unglazed pottery half stone ware dip in mud water then draw with red motif; The green glazed pottery or the Celadon, decorated by draw chamfer into the surface then glaze and bure
Longquan celadon (龙泉青瓷, lung-tsh'wahn [citation needed]) is a type of green-glazed Chinese ceramic, known in the West as celadon or greenware, produced from about 950 to 1550. The kilns were mostly in Lishui prefecture in southwestern Zhejiang Province in the south of China, and the north of Fujian Province.
The celadon color appears in a reducing kiln [19] held at temperature longer. [20] The blue moon jar made by Kim Se-yong, that was exhibited in New York in 2023, was made in a wood-fired kiln. [21] Whereas, most plain celadon moon jars are made in a gas-fired or electric kiln.
Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea.
A revival of Goryeo celadon pottery began in the early 20th century. Playing a leading role in its revival in South Korea was Yu Geun-Hyeong, a Living National Treasure whose work was documented in the 1979 short film, Koryo Celadon. North Korean potter U chi-son separately recreated Goryeo celadon pottery. [17]
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