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Mandala of Buddhas is the mandala consisting of nine major Buddhas of the past and the present Gautama Buddha occupying the ten directions. Mandala of Eight Devis includes the eight Devis occupying and protecting the eight corners of the Universe. In Sigālovāda Sutta, Buddha describes the relationships of a common lay persons in Mandala style.
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
[6] [4] One variation of this is a "checkerboard"-like pattern made up of repeating squares/lozenges separated by white strips with eight-pointed stars at their intersections. [ 17 ] : 60–72 In the Alhambra of the Nasrids, some zellij motifs were composed of interlacing ribbons or tracery, sometimes as part of a narrow frieze wrapping around ...
The art is much more pronounced and attached to Meena community of Hadoti area. The ground is prepared with cow dung mixed with rati, a local clay, and red ochre. Lime or chalk powder is used for making the motif. Tools employed are a piece of cotton, a tuft of hair, or a rudimentary brush made out of a date stick.
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
The stroke is called neli from a snakey line. [clarification needed] The stroke has a knot-like (sikku) structure. [citation needed] a pattern using only part of the dot grid. If that is the case, the same pattern or a different pattern fills/uses up the remaining dot grids. Most of the times, these patterns together end up becoming a complex ...
Detail of a panolong with a naga motif, from the National Museum of Anthropology. Okir, also spelled okil or ukkil, is the term for rectilinear and curvilinear plant-based designs and folk motifs that can be usually found among the Moro and Lumad people of the Southern Philippines, as well as parts of Sabah.
The artwork was created by maidservants of the Imperial Court, with the permission of the Empress Suiko. [3] The original was stitched in silk on a series of large square curtains, approximately 5 metres (16 ft) across, [ 4 ] but only a small portion of this, measuring approximately 89 centimetres (35 in) by 83 centimetres (33 in), still survives.
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