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Jesus (also known as The Jesus Film) is a 1979 American biblical drama film directed by Peter Sykes and John Krish, and produced by John Heyman. In Jesus , the life of Jesus Christ is depicted, primarily using the Gospel of Luke as the main basis for the story.
The Jesus Film Project is an organization created in 1981 by Campus Crusade for Christ founder Bill Bright to distribute the 1979 film, JESUS, not only in English, but also in many of the world's languages with the stated goal of reaching "every nation, tribe, people and tongue, helping them see and hear the story of Jesus in a language they can understand."
Gospel Road: A Story of Jesus (1973) Jesus Christ Superstar (1973) The Passover Plot (1976) Jesus of Nazareth (1977) The Nativity (1978, TV) Jesus (1979) Journey to Bethlehem (2023) The New Media Bible: The Gospel According to St. Luke (1979) A Child Called Jesus (1987) The Last Temptation of Christ (1988) The Revolutionary (1995) The ...
The first Visual Bible project produced The Visual Bible: Matthew (1993) and The Visual Bible: Acts (1994) starring Italian-American actor Bruce Marchiano as Jesus. Both films followed the New International Version word for word in the English version, and vernacular Bibles in versions dubbed into Spanish, Cantonese and Mandarin.
The Gospel of John is a 2003 epic biblical drama film that recounts the life of Jesus according to the Gospel of John. [3] The film is a word-for-word adaptation of the American Bible Society's Good News Bible and follows the Gospel of John precisely, without additions to the story from the other Gospels or omissions of the Gospel's complex passages.
The final chapter of this book is titled, as translated from Italian, “Screenplay for a Possible Film on Jesus” by Scorsese. Spadaro, in the book’s introduction, specifies that the less than ...
The book is a bilingual (German/English) compilation of materials documenting the three years of the Jesus Film project, ranging from the initial ideas and research in 1984, through facsimiles of the Jesus Letters that were sent to participating filmmakers, a detailed project diary with notes on the dynamics of group work, additional production ...
Plus, outside Shanghai, hardly anyone I came across spoke English, which wasn't surprising. Still, because I wasn't familiar with the language, I found it difficult to get around from place to place.