Search results
Results from the WOW.Com Content Network
The Cemetery from the Basilica di San Miniato al Monte by Hans von Bartels. Adjacent to the church is the fine cloister , planned as early as 1426 and built from 1443 to mid-1450s. It was also designed by Bernardo and Antonio Rosselino, and financed by the Arte della Mercantia of Florence, [ 5 ] and the fortified bishop's palace, built in 1295 ...
A number of churches have facades and interiors that are faced with polychrome marble, as at San Miniato al Monte. [4] The rest of a brick exterior was generally left undecorated with some notable exceptions including Pisa Cathedral. [5] Portals were rarely large and were square rather than round, as at San Miniato al Monte.
San Miniato sits at an historically strategic location atop three small hills where it dominates the lower Arno valley, between the valleys of Egola and Elsa rivers. It used to carry the additional sobriquet al Tedesco ("to the German") to distinguish it from the convent of San Miniato al Monte in Florence , which is about 40 kilometres (25 mi ...
The idea of a burial site near San Miniato was conceived around 1837, although the camposanto was inaugurated eleven years later, in 1848.. The project, originally entrusted to architect Niccolò Matas (the designer of the facade of the Basilica of Santa Croce), was enlarged and in 1864 Mariano Falcini used the area of the sixteenth-century fortress lying around the church.
The church of San Miniato al Monte is dedicated to him. [3] According to legend, he was an Armenian king or prince serving in the Roman Army – or making a penitential pilgrimage to Rome [ 2 ] – who had decided to become a hermit near Florence.
The Palazzo dei Vescovi at San Miniato al Monte was a summer residence of the Bishops of Florence and was built, at his own expense, by Monsignor Andrea dei Mozzi, Bishop of Florence, recalled by Dante in canto XV of Inferno. [1]
San Lorenzo (ancient) San Marco (1942) Santa Maria del Carmine (1954) Cathedral of Santa Maria del Fiore (ancient) Santa Maria Novella (1919) San Miniato al Monte (ancient) Santo Spirito (ancient) Santa Trinita (ancient) Santa Maria, Impruneta
It was painted for the altar in the Cardinal of Portugal's Chapel, a funerary chapel in the church of San Miniato al Monte in Florence, built for the prince and cardinal James of Portugal, who died in exile in Florence in 1459 at the age of 26. [2] The painting is now in the Uffizi in Florence, with a copy in place in the chapel. [3]