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Open-back banjos generally have a mellower tone and weigh less than resonator banjos. They usually have a different setup than a resonator banjo, often with a higher string action . [ 62 ]
Most banjeaurines, especially early ones, have 12"- to 12-1/2"-diameter rims. Later models may have 11" rims, a size that became a standard banjo rim size during the late 1920s. The body has a top made out of skin, real or synthetic, and usually an open back without a resonator.
Drumhead lutes such as the banjo or erhu have at least one open end of the sound box covered with animal skin (or a skin-like acrylic material). Open back banjos are normally used for clawhammer and frailing, while those used for bluegrass have the back covered with a resonator.
The banjo used in old-time music is typically a 5-string model [17] with an open back (i.e., without the resonator found on most bluegrass banjos). Today, old-time banjo players most commonly utilize the clawhammer style, but there were numerous styles, most of which are still used to some extent today. The major styles are down-picking ...
This is a Jazz-Age banjo, the American closed-back type that Leonardi referred to. The closed back is a resonator, to project more sound outward. In his 1921 book Méthode for the Banjoline or Mandoline-Banjo, Salvador Leonardi said that naming conventions between the United States and France had applied similar names to different instruments ...
Banjo music tends to be very lively and upbeat, as the fast-occurring drone notes tend to give the illusion that a song is being played quite fast. Banjo music is not usually amplified (except by aid of a microphone), as the banjo's resonator allows it to be played quite loud.
The resonator guitar was introduced to bluegrass music by Josh Graves, who played with Flatt and Scruggs, in the mid-1950s. Graves used the hard-driving, syncopated three-finger picking style developed by Earl Scruggs for the five-string banjo.
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