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Chapter 4 "The Renaissance and the Sixteenth Century". (registration required) pp. 74–102; Mentges, Gabriele (2011). "European Fashion (1450–1950)", European History Online, Mainz: Institute of European History, retrieved June 16, 2011. Payne, Blanche (1965). History of Costume, From the Ancient Egyptians to the Twentieth Century. New York ...
Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable "fashion" in clothing, [1] in which Fernand Braudel concurs. [2] The draped garments and straight seams of previous centuries were replaced by curved seams and the beginnings of tailoring , which allowed clothing to more closely fit the human form.
In England in the beginning of the renaissance, a good doublet would have lasted at least two years but many people reported their doublets to disintegrate after only four months. [5] Items of costume were suitable for New Year's Day gifts amongst the aristocracy. In 1574, Gilbert Talbot gave his father, the Earl of Shrewsbury, a perfumed ...
In the first half of the 16th century, German dress varied widely from the costume worn in other parts of Europe. Skirts were cut separately from bodices, though often were sewn together, and the open-fronted gown laced over a kirtle with a wide band of rich fabric, often jeweled and embroidered, across the bust.
In March 1519 at a masque at Greenwich Palace female dancers in fanciful "Egyptian" costumes wore black velvet gowns "with hoops from the waist downwards", which may have been farthingales. [ 4 ] Farthingales remained a fixture of conservative Spanish court fashion into the early 17th century (as exemplified by Margaret of Austria ), before ...
The French Renaissance was the cultural and artistic movement in France between the 15th and early 17th centuries. The period is associated with the pan-European [ 1 ] Renaissance , a word first used by the French historian Jules Michelet to define the artistic and cultural "rebirth" of Europe.
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