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Johnson's paintings are exhibited on unframed, stretched canvas, which, by avoiding the smug completeness of a frame, reminds the viewer that pictures miss as much as they reveal. On the subject of painting, she writes "I object to the belief that a painting should always be a statement about painting itself. If one has to extract such a ...
Canvas prints are used as final output for fine art pieces or for reproduction of other types of two dimensional art (drawings, paintings, photograph, etc.). Canvas prints are often used as a cheaper alternative to framed artwork as there is no glazing required and the stretcher is not usually visible, so the prints do not need to be varnished ...
His painting The Reverse of a Framed Painting (1670, Statens Museum for Kunst) is one of his most original contributions to the trompe-l'œil genre. It is a deceptively sculptural representation of the back of a canvas frame with the small nails fixing the canvas in the frame and a small slip of paper with an inventory number.
The painting is commonly considered a masterpiece of trompe-l'œil painting [2] for its deceptively sculptural representation of the back of a framed painting in a canvas. The work has already been called as "the most radical meditation about painting as an object and as an image", [3] and is interpreted as an early example of conceptual art. [4]
Most prints tended to be rather small and unsigned. A few have survived to this day that were signed by both Jules Breton and the etcher. Works by Breton are still popular today and are being reproduced in giclée framed and unframed as well as everything from shopping bags to pillows and bed covers [21] as well as tee-shirts and coffee mugs. [22]
Walker Art Center, Gift of the T.B. Walker Foundation and the Gilbert M. Walker Memorial Fund, 1942.1 Blue Horses (German: Die grossen blauen Pferde ) ( The Large Blue Horses ) is a 1911 painting by German painter and printmaker Franz Marc (1880–1916).
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