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His first published work, a poem about his alma mater Swarthmore College, appeared seven years later in the Chronicle of Higher Education, and the following year eight of his poems were included in Winning Hearts and Minds: War Poems by Vietnam Veterans. Exclusively a poet until he was almost 30, he has since written and published a wide ...
He enlisted with the Marine Corps just after graduating from high school. He was a member of the 1st Battalion, 9th Marines . He served in Vietnam for 11 months and seventeen days before being permanently disabled by his third wound at the battle of Con Thien in November 1967.
The former describes the daily experience of soldiers on the front with realistic and shocking images and language (an excellent example is given by Owen's poem Dulce et Decorum est), in order to show how brutal and meaningless war really is; the latter uses a very bombastic and artificial poetry, intending to present war as a noble affair. [13]
Morally devastating experiences in Iraq and Afghanistan have been common. A study conducted early in the Iraq war, for instance, found that two-thirds of deployed Marines had killed an enemy combatant, more than half had handled human remains, and 28 percent felt responsible for the death of an Iraqi civilian.
In his account of a 2003 combat deployment in Iraq, Soft Spots, Marine Sgt. Clint Van Winkle writes of such an incident: A car carrying two Iraqi men approached a Marine unit and a Marine opened fire, putting two bullet holes in the windshield and leaving the driver mortally wounded and his passenger torn open but alive, blood-drenched and ...
Jan Barry Crumb (January 26, 1943–) is an American poet, journalist, author, and activist. [1] A Vietnam veteran and former National Officer of Vietnam Veterans Against the War, [2] he resigned from West Point in 1964 "to become a writer and peace activist".
In writing a historical poem, poets have a slightly different responsibility than do historians. A modern historian is expected to present factually correct narratives. A poet who writes historical poems can adhere to this ideal, but may also use artistic license to communicate ideas beyond mere fact, such as mythical or emotional truths.
Felipe Tremillo, the Marine staff sergeant, took part in the San Diego program last fall. One assignment was to write an imaginary letter of apology. His was intended for a young Afghan boy whom he had glimpsed during a raid in which Marines busted down doors and ejected people from their homes while they searched inside for weapons.