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Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer.His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the ...
Eugène Henri Paul Gauguin (/ ɡ oʊ ˈ ɡ æ n /; French: [øʒɛn ɑ̃ʁi pɔl ɡoɡɛ̃]; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements.
Paul Gauguin (1848–1903) was a French Post-Impressionist artist and figure in the Symbolist movement known for his contributions to the Synthetist style. In 1886, he spent the summer in Pont-Aven in Brittany, an artists colony that became known as the Pont-Aven School for Gauguin's influence and the work they produced.
The Siesta (Paul Gauguin) Spirit of the Dead Watching; Still Life with a Sketch after Delacroix; Still Life with Exotic Birds; Still Life with Head-Shaped Vase and Japanese Woodcut; Still Life with Profile of Laval; Study of a Nude
Mahana no atua (English: Day of the God) is an 1894 oil painting by the French Post-Impressionist artist Paul Gauguin which is in the collection of the Art Institute of Chicago. [1] The painting was executed in Paris on Gauguin's return from his first period of living and working in Tahiti and is more imaginative than real. It depicts a central ...
Paintings by Paul Gauguin (58 P) M. ... Pages in category "Post-impressionist paintings" The following 48 pages are in this category, out of 48 total.
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Gauguin crowds the two figures into the space of the canvas, yet they are completely independent of one another. [11]: 236 Art historians have compared this aspect of the work to the treatment of figures in Manet's On the Beach. [9]: 236 The colors Gauguin employs include orange, yellow, pink, ocher, deep reds, turquoises, and browns.
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