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Lefebvre’s concept of rhythm concerns the repetition of a measure at a frequency. He identifies two kinds of rhythms: cyclical rhythms, which involve simple intervals of repetition, and alternating (or linear) rhythms. An example of a cyclical rhythm would be day fading into night, and night brightening into day; a linear rhythm might be the ...
For example, in basketball, in order to anticipate the game one must recognize rhythmic patterns of other players and perform actions calibrated to these movements. "The rhythm of a game of basketball emerges from the rhythm of individuals, the rhythm among team members, and the rhythmic contrasts between opposing teams". [6]
Rhythmic war cry, rhythmic drumming by shamans, rhythmic drilling of the soldiers and contemporary professional combat forces listening to the heavy rhythmic rock music [19] all use the ability of rhythm to unite human individuals into a shared collective identity where group members put the interests of the group above their individual ...
A more stringent study conducted in 1999 by Harvard University estimated the natural human rhythm to be closer to 24 hours and 11 minutes: much closer to the solar day. [87] Consistent with this research was a more recent study from 2010, which also identified sex differences, with the circadian period for women being slightly shorter (24.09 ...
Examples include circannual or annual cycles that govern migration or reproduction cycles in many plants and animals, or the human menstrual cycle. Ultradian rhythms , which are cycles shorter than 24 hours, such as the 90-minute REM cycle , the 4-hour nasal cycle , or the 3-hour cycle of growth hormone production.
The global challenge we should be talking more about.
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
In linguistics, prosody (/ ˈ p r ɒ s ə d i, ˈ p r ɒ z-/) [1] [2] is the study of elements of speech that are not individual phonetic segments (vowels and consonants) but which are properties of syllables and larger units of speech, including linguistic functions such as intonation, stress, and rhythm.