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Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A work containing the words to an opera, musical, or ballet Melodramma: melodrama: A style of opera Opera: work: A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A comic opera Opera semiseria: semi-serious opera: A variety of opera Opera seria: serious opera: An opera with a serious, esp. classical theme ...
Square brackets are used with phonetic notation, whether broad or narrow [17] – that is, for actual pronunciation, possibly including details of the pronunciation that may not be used for distinguishing words in the language being transcribed, but which the author nonetheless wishes to document. Such phonetic notation is the primary function ...
For example, the English word church may be transcribed as /tʃɝːtʃ/, a close approximation of its actual pronunciation, or more abstractly as /crc/, which is easier to type. Phonemic symbols should always be backed up by an explanation of their use and meaning, especially when they are as divergent from actual pronunciation as /crc/. [14]
Etymologically, "cuboid" means "like a cube", in the sense of a convex solid which can be transformed into a cube (by adjusting the lengths of its edges and the angles between its adjacent faces). A cuboid is a convex polyhedron whose polyhedral graph is the same as that of a cube. [1] [2] General cuboids have many different types.
In that case, it can mean either accent the note in question by holding it to its full length (or longer, with slight rubato), or play the note slightly louder. In other words, the tenuto mark may alter the length of a note at the same time a dynamic mark adjusts its volume. Either way, the tenuto marking indicates that a note should receive ...
The Gnossiennes (French pronunciation:) are several piano compositions by the French composer Erik Satie in the late 19th century. The works are for the most part in free time (lacking time signatures or bar divisions) and highly experimental with form, rhythm and chordal structure. The form was invented by Satie but the term itself existed in ...