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The tropical plant passiflora, introduced to Europe in the 16th century, got its name from the Jesuit F B Ferrari, who saw in its flower an emblem containing the instruments of the Passion of Christ. The 3 stigmas represent three nails, a circle of radial filaments - a bloody crown of thorns, a stalk fruit grower - the Holy Grail, five anthers ...
The Paschal mystery is central to Catholic faith and theology relating to the history of salvation.According to the Compendium of the Catechism of the Catholic Church, "The Paschal Mystery of Jesus, which comprises his passion, death, resurrection, and glorification, stands at the center of the Christian faith because God's saving plan was accomplished once for all by the redemptive death of ...
Arma Christi ("weapons of Christ"), or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry , and also as the weapons Christ used to achieve his conquest over Satan .
Part of the relics are included in the so-called Arma Christi ("Weapons of Christ"), or the Instruments of the Passion. Some relics, such as remnants of the crown of thorns , receive only a modest number of pilgrims, while others, such as the Shroud of Turin , receive millions of pilgrims, including Pope John Paul II , Pope Benedict XVI , and ...
In the Gospel of Mark, generally agreed to be the earliest Gospel, written around the year 70, [3] [4] Jesus predicts his death three times, recorded in Mark 8:31-33, 9:30-32 and 10:32-34. Scholars note that this Gospel also contains verses in which Jesus appears to predict his Passion and suggest that these represent the earlier traditions ...
The St Luke Passion is scored for large forces: a narrator (who acts as the Evangelist); soprano, baritone and bass soloists (with the baritone singing the role of Christ and the soprano and bass taking other roles as necessary); three mixed choruses and a boys' choir; and a large orchestra consisting of:
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The words are "an expression of faith in redemption" and announce the Second Coming of Christ. [7] The aria begins with an ascending fourth , a signal observed by musicologist Rudolf Steglich as a unifying motif of the oratorio, [ 5 ] on the words "I know", repeated almost every time these words appear again.