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2. Constantia (typeface) - Wikipedia

   en.wikipedia.org/wiki/Constantia_(typeface)

   Constantia is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista. All start with the letter C to reflect that they were designed to work well with Microsoft’s ClearType text rendering system, a text rendering engine designed to make text clearer to read on LCD monitors.

3. Aptos (typeface) - Wikipedia

   en.wikipedia.org/wiki/Aptos_(typeface)

   Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.

4. List of typefaces included with Microsoft Windows - Wikipedia

   en.wikipedia.org/wiki/List_of_typefaces_included...

   The "Included from" column indicates the first edition of Windows in which the font was included. Included typefaces with versions ... Sitka Subheading [6] Serif ...

5. Lucida - Wikipedia

   en.wikipedia.org/wiki/Lucida

   Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).

6. Cambria (typeface) - Wikipedia

   en.wikipedia.org/wiki/Cambria_(typeface)

   In those days sizes had their own drawing, so that small sizes are wider and have a lower contrast compared to large fonts in the same design: optical correction. In this sense, Cambria is like a small size font, except that it may also be used at large sizes." As with the other ClearType fonts, both lining figures and text figures are offered ...

7. Thesis (typeface) - Wikipedia

   en.wikipedia.org/wiki/Thesis_(typeface)

   A humanist sans-serif font family, somewhat similar to Syntax (1968) and Frutiger (1976). It included fonts in 8 weights and 2 widths, with complementary italic fonts. A distinctive figure is the 'Q' with the detached tail, somewhat similar to that on Dwiggins' Metro; an alternate is provided for when this is unsuitable.