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Jane Eyre (/ ɛər / AIR; originally published as Jane Eyre: An Autobiography) is a novel by the English writer Charlotte Brontë. It was published under her pen name "Currer Bell" on 19 October 1847 by Smith, Elder & Co. of London. The first American edition was published the following year by Harper & Brothers of New York. [2]
Jane Eyre is the fictional heroine and the titular protagonist in Charlotte Brontë's 1847 novel of the same name.The story follows Jane's infancy and childhood as an orphan, her employment first as a teacher and then as a governess, and her romantic involvement with her employer, the mysterious and moody Edward Rochester.
Thornfield Hall is a location in the 1847 novel Jane Eyre by Charlotte Brontë. It is the home of the male romantic lead, Edward Fairfax Rochester, where much of the action takes place. Brontë uses the depiction of Thornfield in a manner consistent with the gothic tone of the novel as a whole.
Bertha Mason in the foreground, an illustration by F. H. Townsend for the second edition of Jane Eyre, published in 1847 Bertha Mason smashed on the pavement after throwing herself off the roof when Thornfield Hall is on fire. Bertha Antoinetta [1] Rochester (née Mason) is a character in Charlotte Brontë's 1847 novel Jane Eyre.
Wuthering Heights is a more difficult book to understand than Jane Eyre, because Emily was a greater poet than Charlotte. ... She looked out upon a world cleft into gigantic disorder and felt within her the power to unite it in a book. That gigantic ambition is to be felt throughout the novel ... It is this suggestion of power underlying the ...
Edward Rochester is the oft-absent master of Thornfield Hall, where Jane Eyre is employed as a governess to his young ward, Adèle Varens.Jane first meets Rochester while on a walk, when his horse slips and he injures his foot.
[6] [7] Welles also acted in other directors' films, playing Rochester in Jane Eyre (1943), Harry Lime in The Third Man (1949), and Cardinal Wolsey in A Man for All Seasons (1966). His distinctive directorial style featured layered and nonlinear narrative forms, dramatic lighting, unusual camera angles, sound techniques borrowed from radio ...
The Gytrash's emergence as Rochester's innocuous dog Pilot has been interpreted as a subtle mockery of the mysteriousness and romanticism that surrounds his character and which clouds Jane's perception. [4] Brontë's reference in 1847 is the earliest reference to the beast in print and forms the basis for subsequent citations. [5]
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