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The line of mostly black-and-white anthology magazines predominantly featured horror, sword and sorcery, and science fiction. The magazines did not carry the Marvel name, but were produced by Marvel staffers and freelancers, and featured characters regularly found in Marvel comic books, as well as some creator-owned material.
Judy Garland tribute magazine (1970). Cover artist unknown. Another two-issue title, The Crime Machine, consisted solely of comic-book crime fiction reprints from the 1950s. [9] A remaining title, Science Fiction Odyssey, was planned for September 1971 publication, but withdrawn; some of its stories eventually appeared in the horror magazines.
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction.In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others.
All of these magazines featured grisly, lurid color covers and no advertisements, [citation needed] having the final page of a story on the back cover. New material was mixed with reprints from 1950s pre-Comics Code horror comics.
Tales of the Zombie was an American black-and-white horror comics magazine published by Magazine Management, a corporate sibling of Marvel Comics. [1] The series ran 10 issues and one Super Annual from 1973 to 1975, many featuring stories of the Zombie (Simon Garth) by writer Steve Gerber and artist Pablo Marcos.
Creepy was an American horror comics magazine launched by Warren Publishing in 1964. Like Mad, it was a black-and-white newsstand publication in a magazine format and did not carry the seal of the Comics Code Authority. [1] An anthology magazine, it initially was published quarterly
Tom Sutton's cover for Creepy #22 (Aug. 1968). Sutton's first two comic-book stories appeared the same month. His first sale, "The Monster from One Billion B.C.", was published in Warren Publishing's black-and-white horror-comics magazine Eerie #11 (Sept. 1967), though it was originally commissioned for Famous Monsters of Filmland (where it was reprinted four months later).
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