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In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface.Typically, this is the height of the letter x in the font (the source of the term), as well as the letters v, w, and z.
The project was started in 2010 by Ulanovsky [2] and was released through the Google Fonts catalogue in 2011. Montserrat has become increasingly popular among web designers, and it is used on over 17 million websites. [3] Featuring a large x-height, short descenders and wide apertures, this typeface achieves high legibility even in small sizes.
The junction of two strokes intersecting above as in A M X x is an apex and the joining of two strokes intersecting below as in V W v w is a vertex. [10] The font shown in the example is stressed; this means that strokes have varying widths. In this example, the stroke at the top of the "g" is thinner at the top and bottom than on the sides ...
Century Gothic has a high x-height (tall lower-case characters). Its origins (see below) come from a design intended for large-print uses such as headings and signs, and so it has a reasonably purely geometric design closely based on the circle and square, with less variation in stroke width than fonts designed for small sizes tend to show, and ...
It is the first open-source font family from Adobe, distributed under the SIL Open Font License. [ 3 ] [ 4 ] The typeface is inspired by the forms of the American Type Founders ' gothics by Morris Fuller Benton , such as News Gothic , Lightline Gothic and Franklin Gothic , modified with both a larger x-height and character width and more ...
ITC Benguiat Gothic is a sans-serif variant for the original serif font family. Both faces are loosely based upon typefaces of the Art Nouveau period but are not considered academic revivals. The face follows ITC's design formulary of an extremely high x-height, combined with multiple widths and weights.
Monotype Modern, a nineteenth-century text face, next to Haas Clarendon Bold, a display face. Both fonts show classic nineteenth-century design features, for instance on the 'Q', 'R', 'r', 'a' and 'c'. However, the Clarendon is much wider with a higher x-height, and contrast between thick and thin strokes has been reduced.
A leading unofficial Erbar digitisation is Dunbar, released by CJ Dunn in late 2016 as an unofficial digitisation in a choice of x-heights named Dunbar Low, Dunbar Text and Dunbar Tall. [12] It is also offered as a variable font, in which the x-height and the weight can be varied smoothly, and as such is the first variable font on sale.
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