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Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
Paintings by Raphael (1483−1520) — the renowned Italian Renaissance painter. ... Portrait of a Young Woman (Raphael, Strasbourg) The Prophet Isaiah (Raphael) R.
Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola is an oil painting dated circa 1518 that was formerly believed to depict Giovanna d'Aragona.It has been variously ascribed to Raphael, Giulio Romano, or the school of Raphael; it is now usually taken to have been executed by Giulio Romano based on a sketch by Raphael and then altered by Raphael.
In 1813, at the time of the painting, Ingres married Madeleine Chapelle, which may have led him to focus on Raphael's relationships with women. [9] In Le Roman d'amour de M. Inges, by Henry Lapauze, Ingres's and Raphael's relationships and encounters with women are contrasted and analyzed. [8]
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The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th-century art historian [Dan K] held that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy.
La donna velata (c. 1516); the pearl (Latin: margarita) adorning her hair may allude to the name of Raphael's mistress and model; her stray curl exemplifies the "studied carelessness" or sprezzatura celebrated in The Book of the Courtier by his friend Baldassare Castiglione; height 82 centimetres (32 in), width 60.5 centimetres (23.8 in); at the Palazzo Pitti in Florence [1] [2] [3]