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From these styles also emerged the two principal survivors of the biwa tradition: satsuma-biwa and chikuzen-biwa. [3] From roughly the Meiji period (1868–1912) until the Pacific War , the satsuma-biwa and chikuzen-biwa were popular across Japan, and, at the beginning of the Shōwa period (1925–1989), the nishiki-biwa was created and gained ...
The satsuma-biwa "emerged from interaction between moso and the samurai class" in Satsuma Province, starting a period of popularity for "modern biwa" until the 1930s, while the chikuzen-biwa had its origin in the 1890s in the Chikuzen region of Kyushu, drawing upon aspects of mōsō music, shamisen, and the satsuma-biwa technique. [13]
English: Types of Biwa, Japanese short-necked fretted lute, often used in narrative storytelling. Left to right: Gagaku-biwa, Chikuzen-biwa, Heike-biwa, Mōsō-biwa, Satsuma-biwa Left to right: Gagaku-biwa, Chikuzen-biwa, Heike-biwa, Mōsō-biwa, Satsuma-biwa
Chikuzen Province (筑前国, Chikuzen-no kuni) was a province of Japan in the area of northern Kyūshū, corresponding to part of north and western Fukuoka Prefecture. [1] Chikuzen bordered on Hizen to the east, and Buzen east, and Bungo to the southeast.
Mieko Takamine was born the eldest daughter of famous chikuzen biwa player and teacher Chikufu Takamine. [4] She gave her acting debut in the 1936 film Kimi yo takarakani utae, produced by the Shochiku studios, to which she would remain affiliated throughout her career, although she would also occasionally appear in productions of other companies after the war. [1]
The Chikuzen dialect possesses a variation of the Tokyo-standard pitch accent. There are notable changes to the pitch accent of two-mora nouns (e.g., sora (空, sky)) across Chikuzen, with the specific changes depending on region. Across most of the Chikuzen dialect area, two-mora nouns with a wide vowel (aka.
The series uses a vertical (立て絵, tate-e) layout for each of the prints. The size was the vertical ôban: 35.6 x 24.8 cm (14 x 9 3/4 in.) This was the first time such a format had been used in a major Japanese landscape print series.
They originally lived in Northern Kyushu, [1] especially in an area called Chikuzen, now part of modern-day Fukuoka Prefecture. Their knowledge and ability to use tidal changes, weather patterns and star constellations ensured their successful routing and voyaging on the sea during their regular exploration.