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Hair is sacred to Black women, as are the institutions that shift and mold our tresses, styling them for seasons and occasions. Beauty salons are staples in the Black community, but the braiding ...
The play takes the audiences inside Jaja's bustling hair braiding salon in Harlem where every day, a lively and eclectic group of West African immigrant hair braiders are creating masterpieces on the heads of neighborhood women. During one sweltering summer day, love will blossom, dreams will flourish and secrets will be revealed.
In contemporary contexts, braids and similar hairstyles continue to be significant, often viewed as rites of passage and modes of self-expression, particularly among women of color. [8] However, issues of hair discrimination and bias present challenges. Globally, women often feel compelled to alter their natural hairstyles to conform to ...
Each woman has her own reason to retrieve her authenticity; some want to preserve their hair against aggressive hair styling methods such as weaves being too tight or harmful straightening chemical products, while others simply prefer their natural hair in spite of the pressure from the dominant aesthetics.
Her play “Jaja’s African Hair Braiding” debuted a few miles away from Harlem, at the Samuel J. Friedman Theatre, on Oct. 3. She described it as a love letter to the West African immigrant ...
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Braids have been part of black culture going back generations. There are pictures going as far back as the year 1884 showing a Senegalese woman with braided hair in a similar fashion to how they are worn today. [15] Braids are normally done tighter in black culture than in others, such as in cornrows or box braids. While this leads to the style ...
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