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The term "hi-fi," an abbreviation for high fidelity, was coined during this era to describe audio systems that aimed to reproduce sound with high accuracy and minimal distortion. The vinyl LP became popular during the 1950s, and the availability of affordable components such as turntables, speakers and amplifiers enhanced the sonic realism of ...
Ambiophonics is a method in the public domain that employs digital signal processing (DSP) and two loudspeakers directly in front of the listener in order to improve reproduction of stereophonic and 5.1 surround sound for music, movies, and games in home theaters, gaming PCs, workstations, or studio monitoring applications.
Sound design for video games requires proficient knowledge of audio recording and editing using a digital audio workstation, and an understanding of game audio integration using audio engine software, audio authoring tools, or middleware to integrate audio into the game engine. Audio middleware is a third-party toolset that sits between the ...
The left and right surround speakers in the bottom line create the surround sound effect. 5.1 surround sound ("five-point one") is the common name for surround sound audio systems. 5.1 is the most commonly used layout in home theatres. [1] It uses five full-bandwidth channels and one low-frequency effects channel (the "point one"). [2]
The first product Naim put on the market was the NAP160 power amplifier; it was followed by the NAC12 pre-amplifier. [1] The two-channel NAP 250 amplifier, launched in 1975, is perhaps Naim Audio's most well-known analogue product, as its basic circuit layout was shared by all the company's power amplifiers until the introduction of the NAP500 in 2000.
High fidelity (often shortened to Hi-Fi or HiFi) is the high-quality reproduction of sound. [1] It is popular with audiophiles and home audio enthusiasts. Ideally, high-fidelity equipment has inaudible noise and distortion , and a flat (neutral, uncolored) frequency response within the human hearing range .
A small combo amplifier patched into the PA suffices. In the 2000s, virtually all sound reaching the audience in large venues comes from the PA system. Onstage instrument amplifiers are more likely to be at a low volume, because high volume levels onstage make it harder for the sound engineer to control the sound mix.
In 1975 Ed Long [1] in cooperation with Ronald J. Wickersham invented the first technique to Time-Align a loudspeaker systems. In 1976 Long presented "A Time-Align Technique for Loudspeakers System Design" [2] at the 54th AES convention demonstrating the use of the Time-Align generator to design improved crossover networks for multi-way loudspeakers systems.
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