Search results
Results from the WOW.Com Content Network
New Order contributed a new song, "Here to Stay", and a re-recording of the Joy Division song "New Dawn Fades" with Moby, for the film's soundtrack. The compilation International and four-disc boxset Retro were released in winter 2002. New Order followed Get Ready with Waiting for the Sirens' Call in 2005. During this period Gilbert stepped ...
The 12" versions of both "Temptation" and its B-side, "Hurt", appear on New Order's mopping-up EP 1981–1982, released a few months after the single itself. Neither version mentioned the band's name on the sleeve; instead the song title and catalogue number FAC 63 were embossed into the cover.
In 1990, New Order recorded the official song of the England national football team's 1990 World Cup campaign, "World in Motion", under the ad hoc band name EnglandNewOrder. The song, co-written with comedian Keith Allen , was the band's sole number one UK hit. [ 32 ]
While Substance 1987 aimed to showcase New Order's 12-inch singles, Singles instead features mostly seven-inch versions, some of which are rare and differ from the album versions. The album includes three early singles that have never appeared on CD in their original form: " Ceremony ", " Everything's Gone Green " and " Temptation ".
Technique is the fifth studio album by English rock band New Order.Released on 30 January 1989 by Factory Records, the album was partly recorded on the island of Ibiza, and incorporates Balearic beat and acid house influences into the group's dance-rock sound.
The Best of New Order (stylised as (the best of) NewOrder) is a greatest hits album by English band New Order.It was released in the United Kingdom on 21 November 1994 by London Records and, with a different track listing, in the United States on 14 March 1995 by Qwest Records and Warner Bros. Records. [1]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
"Blue Monday" has been labelled a "synth-pop classic" [21] [22] and described as cementing the group's movement from post-punk to alternative dance. [5]It has been noted as an example of the hi-NRG style of club music, [23] and the 2004 edition of The Rolling Stone Album Guide called it "the ultimate in flawlessly programmed, LSD-driven, push-button dance-pop".