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Pages in category "Paintings in Kelvingrove Art Gallery and Museum" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes .
Kelvingrove Art Gallery and Museum is a museum and art gallery in Glasgow, Scotland, managed by Glasgow Museums. The building is located in Kelvingrove Park in the West End of the city, adjacent to Argyle Street. Kelvingrove Art Gallery and Museum is one of Scotland's most popular museums and free visitor attractions. [2]
The Government Museum and Art Gallery were built for housing the artefacts received from the Lahore Museum during the partition of India. [3] The building was designed by the Swiss-born French architect, Le Corbusier along with his associate architects namely Manmohan Nath Sharma, Pierre Jeanneret and Shiv Dutt Sharma. [4]
Christ of Saint John of the Cross is a painting by Salvador Dalí made in 1951 which is in the collection of the Kelvingrove Art Gallery and Museum, Glasgow.It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen.
The Annunciation is a tempera on panel painting in the Kelvingrove Art Gallery and Museum in Glasgow, Scotland made by the Italian Renaissance master Sandro Botticelli and his studio. [1] The painting, which is 49.5 cm tall and 58.5 cm wide, depicts the angel Gabriel announcing news of the conception and future birth of Jesus to Mary.
Motherless at the Kelvingrove Art Gallery and Museum Motherless at the Homewood Cemetery in Pittsburgh. Motherless is an 1889 sculpture by George Anderson Lawson. It depicts a child in the arms of their seated father. It is in the collection of the Kelvingrove Art Gallery and Museum in Glasgow.
[3] [4] It marked the opening of the city's Kelvingrove Art Gallery and Museum and also commemorated the fiftieth anniversary of the first world's fair held in the UK, doubling that attendance with 11.5 million visits. [1] Following the style popularised at the 1893 Chicago world's fair, the main exhibition building was in Renaissance-Baroque ...
If anything, this highlighted the inadequacy of Kelvingrove House as a museum, and as it now stood in a public park, limited its alternative uses. [4] The profit from the 1888 exhibition (£46,000) was sufficient to fund a major new facility. [2] The city resolved to build a far larger museum and art gallery.